{"id":1627,"date":"2018-08-07T12:03:33","date_gmt":"2018-08-07T10:03:33","guid":{"rendered":"https:\/\/rotiroti.it\/radio-anarti\/"},"modified":"2022-04-29T10:19:57","modified_gmt":"2022-04-29T08:19:57","slug":"radio-anarti","status":"publish","type":"post","link":"https:\/\/rotiroti.it\/en\/radio-anarti\/","title":{"rendered":"Radio Anarti"},"content":{"rendered":"\t\t
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Radio Anarti<\/h1>\r\nMediterranea 18 Tiran\u00eb -Durr\u00ebs \u2013 Driant Zeneli\r\n\r\nCurated by Maria Rosa Sossai<\/em>\r\n\r\n\u201cRadio Anarti\u201d is an open and participative radio \u2013 a constantly evolving container that adapts to the people who host it, dynamically interactiing with them. The idea for the radio came from a meeting between the poet Jonida Prifti, the musician Stefano Di Trapani, the actress Valentina Di Odoardo and the painter, Nicola Rotiroti.\r\n\r\nIt\u2019s name, Anarti, is an anagram of the place where the radio took shape for the first time, Tirana. Its inaugural broadcast was part of the Biennale \u201cMediterranea 18 Young Artists\u201d, which was about anarchist art, emblematic of the meeting between the four authors. Participation is at the core of this project, a dialogue and a bridge between it and the territory.\r\nThe radio is created in the open, in a meeting place such as the town square, as in Tirana. In this way from the very beginning the radio is open to citizens, through meaningful actions. The artists are the radio\u2019s workers, collecting suggestions on the sounds from the area, voices from the locality, interviews, but also quite simply, attempting to involve citizens in writing words and thoughts in various languages and dialects.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Stefano Di Trapani<\/h2>\r\nStefano Di Trapani is a muscian, journalist and multimedia artists born in Rome on 4\/11\/75.\r\nAs a musician he has over 20 years of publications under his belt: in Italy and abroad as a soloist, as part of groups and in collaboration with Italian and international artists such as Dino Felipe, Maurizio Marsico, Ludo Mich, Gustoforte, Calcutta, Polisick. He has been produced on lables such as Sonic belligerance, No Fi, Stront, Retinascan, V \/\/ VM Legno, Geograph, SST, My Dance the Skull, and Filibusta.\r\n\r\nHe is co-author and editor of the fanzine Epoc Ero Uroi, and co-founder of the Selva Elettrica music label. Each year he organises the outsider festival BABA, in Rome and the Poetry festival Poesia Carnosa, two international events. Since 2010 he has been collaborating on the magazine Vice Italia as a music reviewer and columnist. In 2013 he managed the online columns \u201cDemented parla da solo\u201d and \u201cItalian fogorati\u201d; he also works as a columnist for online magazines such as \u201cUltimo uomo\u201d, \u201cPrismo\u201d, \u201cOOrlandOO\u201d, The Towner and \u201cScioc!\u201d. Among his other activities, he lists designer, a character poet and a video maker.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Valentina Di Odoardo<\/h2>\r\nActor, writer, director and trainer in social theatre. She was born in Pescara in 1973 and lives and works in Rome.\r\n\r\nSince 2001 she has been working with CIES Onlus as the Theatre and Intercultural Entertainment Manager. She has devised and delivered a number of interactive theatrical shows as a writer, director and actor. These include: \u201cSola Andata\u201d at a theatre in India, \u201cIo viaggio da solo\u201d , \u201cIo viaggio Equo e Solidale\u201d and \u201cRotte Migranti\u201d at Castello Colonna di Genazzano, as well as in other Italian cities, including Torino, Palermo, Napoli, Macerata, Pristina, Skopje and Tirana.\r\n\r\nNel 2014 she curated the show \u201cRacconti e poesie dl mondo ad occhi chiusi\u201c at the Maxxi as part of the Open Museum Open City exhibition.\r\n\r\nSi occupa da qualche anno di Teatro dell\u2019oppresso sia come attrice che come Jolly (facilitatrice di comunicazione).\r\nShe has been involved in Theatre of the oppressed for several years as an actress and Jolly (communication facilitator)\r\n\r\nShe has attended the International School of Acting in Rome, various theatrical workshops, including a seminar with Marylin Fread – the official coach from Actor Studio New York – and the advanced course for Social Theatre Operatives held at the University of Milan \u201cLa Cattolica\u201d, with a work placement at Rebibbia prison.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Jonida Prifti<\/h2>\r\nBorn on 6th June in Orizaj-Berat (Abania), she immigrated to Italy in 2001, where she is a poet, vocalist, performer and singer. Her main publication, sound and vidieo productions include: \u201cLa Poesia: luogo delle differenze\u201d (Marcus Edizioni, 2012), Paesaggio 013 (Caratteri Mobili Edizioni, 2013), il saggio Patrizia Vicinelli, La poesia e l\u2019azione (Onyx, 2014), \u201cLa Feminilizzazione del mondo\u201d \u2013 Compilation di artiste femminili (Arte nel rumore, Ozky e \u2013 Sound, 2014) etc.\r\n\r\nSince 2007 she has participated in various international action poetry festivals including \u201cSecret Anarchy Garden\u201d (Londra), \u201cColour out of space\u201d (Brighton), \u201cNovember Fest\u201d (Anversa), \u201cOpen Summer\u201d (Atene), \u201cPoetitaly\u201d (Roma), \u201cPoEtiche\u201d (Roma), \u201cCampcosmic\u201d (Berlino) etc. Working with Stefano di Trapani she formed the poetronic duo \u201cAcchiappashpirt\u201d (with many publications including: Flutura, My Dance The Skull, 2015, tape, UK; Sonete t\u00eb turpshme, Ozky e \u2013 Sound, CD, 2012), and founded the poetry sound festival : \u201cPoesia Carnosa\u201d nel 2010. An extract of her poem poema \u201cRivestrane\u201d was published in the anthology \u201cTrivio\u201d (O\u00e8dipus Edizioni 2016) curated by Francesco Muzzioli. IN May 2017 she participated in the European biennial \u201cMediterranea 18 Young Artists Biennale\u201d (Tirana, Albania) with the project \u201cRadio Anarti\u201d in the \u201cLiterary Creation\u201d section, curated by di Maria Rosa Sossai. www.jonidaprifti.com<\/a>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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RADIO ANARTI<\/h1>\r\n(Anarti: an anagram of Tirana. Ana as in anarchy and Arti as in art.)\r\n\r\nRadio in Albania was the main an only means of communication with the world: a world which didn\u2019t exist because the radio was controlled by the regime. The only station that existed was Radio Tirana.\r\n\r\nProvando a ricevere bene il canale si entrava in contatto con altre frequenze, altre lingue, altri mondi. Mondi confusi, disturbati dal monopolio di Radio Tirana. L\u2019atto di muovere la manopola era un gesto di ricerca\u2026 E allora passando da una stazione all\u2019altra, da un mondo sonoro ad un altro potevo suonare la radio.\r\n\r\nWhile trying to find good reception, one enters into contact with other frequencies, other languages, other worlds. Worlds that confuse and disturb the monopoly of Radio Tirana. The act of moving the dial was an action of research, moving from one station to another, from one world of sound to another\r\n\r\nTo discover the world to find an identity that in Albania was sedated.\r\n\r\nThe Radio: reminding and reaching out to people through a means that records without recording, an archive of time, of the past\u2026 and consequently brings the past to the present. To remember through sonic incursions into an era (research into the archives compilations of the important sounds that tell of the implosion of the years of dictatorship).\r\n\r\nTrasformare quella che per me era Radio Tirana, in Radio Anarti: portarla dal suo essere monolitica, centrifuga, autocentrata, autarchica a una condizione centripeta in modo da mettere in relazione biunivoca e dialettica il dentro e il fuori (dalla radio alla citt\u00e0, dalla citt\u00e0 alla radio).\r\n\r\nTo transform what for me was Radio Tirana, into Radio Anarti: taking it from its monolithic, centrifugal, self-centered, autarkic being to a centripetal condition in order to connect bijective and dialectic inside and outside (from the radio to the city, from the city on the radio).\r\n\r\nBut not only that: at the same time collect other realities in the same radio. In many different ways:\r\n\r\n\u201cEnvoys\u201d move through different situations of Tirana, through multiple means. A mutual contact: the people and the realities involved can listen to the radio, but also record a message that, in turn, everyone will be able to listen.\r\n\r\nThe envoys will physically leave the radio built by us, bound to (threads of different colors). When travelling from the radio (located in the place designated for the biennial) to the various locations (significant places in the city), these will create traces, representing the radio frequencies.\r\n\r\nAt the source, we will see a physical radio, a large container that will embrace all the suggestions coming from Albanian reality and not. For example, there will be a connection to the Tomor mountain, a mystical place par excellence, where they talk of an ancient oracle: or radio communications with different independent spaces in Rome and Tirana where we will try to translate works of various artists into radio frequencies (\u201cnow we will transmit the artist\u2019s picture \u2026\u2026.\u201d). Or again: a correspondent who, with a \u201cradio-car\u201d, will explore the city and transmit sounds, voices and situations that will inevitably be created along the way. Among other things, there will also be a link with the city\u2019s Roma market, in which a station will be housed in its centre, where direct interactions between radio speakers and the public will take place, an absolute protagonist.\r\n\r\nUnico leitmotiv sonoro e fisico sar\u00e0 la voce e il viso di Jonida Prifti che comparir\u00e0 dalla radio posta alla biennale. Radio Anarti sar\u00e0 un grande contenitore costruito come una radio degli anni 30-40. Il mezzo cos\u00ec com\u2019\u00e8 nato, attualizzato e liberato. Jonida \u00e8 la voce che racconta, la speaker \u201c a vista\u201d. Ritorner\u00e0 e ricorrer\u00e0, a tempi cadenzati, come medium di sintesi vocale fra tutte le attivit\u00e0 artistiche e non, fra tutte le suggestioni che cadranno dall\u2019esterno. L\u2019artista tradurr\u00e0 in happening poetici le connessioni con il mondo: un mondo simbiotico.\r\n\r\nThe only sound and physical leitmotif will be the voice and the face of Jonida Prifti who will appear on the radio at the biennial. Radio Anarti will be a large container built in the form of a 1930s\/40s radio. The means as it was born, actualized and liberated. Jonida is the voice that tells, the speaker \u201cin situ\u201d. It will return and will recur, in rhythm, as a vocal medium a synthesis between all artistic and non-artistic activities, among all the suggestions that will come from outside. The artist will translate the connections with the world into poetic happenings: a symbiotic world.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
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PHYSICAL RADIO<\/h1>\r\n

Objectives:<\/h2>\r\n